“Dramatised Mark” in Exeter Cathedral
A dramatised reading of of the Gospel according to St Mark created by Professor Chris Bryan and directed by David Gunn-Johnson.
A dramatised reading of of the Gospel according to St Mark created by Professor Chris Bryan and directed by David Gunn-Johnson.
Performance of “On the Holy Mountain” by Andrew Wilson and other vocal and instrumental music, concluding with the ancient close-of-the-day service of Compline. Hosted by Margaret Aagesen Hughes (Soprano) and Clare Bryden (Alto).
Come and Pray was a day-long event at Exeter Cathedral, featuring opportunities to engage in different forms of prayer and worship. It was lovely to play a small part myself, leading a shared Lectio Divina session for anyone who wished to experience a new way of praying with the Bible.
Refuge from the heat. Saturated with silence. Present to my presence.
The ancient close-of-the-day service of Compline, with plainchant and polyphony. Hosted by Margaret Aagesen Hughes (Soprano) and Clare Bryden (Alto). Featuring musicians Andrew Maries (Oboe), Sophie Brewer (Flute), Catherine Bradley (Cello), John Draisey (Keyboard) and the music of Andrew Wilson.
The ancient close-of-the-day service of Compline, with plainchant and polyphony. Hosted by Margaret Aagesen Hughes (Soprano) and Clare Bryden (Alto). Featuring the music of Barber, Bach and Pergolesi, and musicians Ruth Molins (Flute), Emma Welton (Violin), John Draisey (organ).
I don’t necessarily articulate in my mind my understanding of an action as my body performs it during the liturgy. I allow that physical action to be my expression of intention and my offering.
It is prayer hour in the convent chapel on a sunny summer morning. Dust motes swirl idly in the sun’s rays streaming through the high windows. The chapel is still, apart from a solitary blue bottle.
During the days between Ascension and Pentecost, I found myself ruminating about Exeter Cathedral as building and people, prompted by the lack of access to church buildings during lockdown.
Thy Kingdom Come is a global wave of prayer uniting Christians around the world during the days from Ascension Day to Pentecost. From 30 May to 9 June 2019, Exeter Cathedral is hosting a special prayer room in the Grandisson Chapel tucked into the West Front. Based on the parable of the hidden treasure, I’ve set up a small installation with a small action to help people pray.
The ancient close-of-the-day service of Compline, with plainchant and polyphony. Hosted by Margaret Aagesen Hughes (Soprano) and Clare Bryden (Alto). Featuring the music of Bach, Barber and Saint-Saëns, and musicians Ruth Molins, Sophie Brewer (Flute), Emma Welton (Violin), Catherine Bradley (Cello).