This was an opportunity for me to pilot my latest work, with some interesting outcomes and lessons!!
I’m looking forward to piloting “Minecraft Climate Quest” at the ExIST STEAMM Show, an interactive exhibition of commercial, research and creative projects from the south west which combine arts, sciences and technology.
Following the “Star Spangled Kyrangle”, it’s great to see the idea of Community Star Gazing taking off around Exeter.
It took several days to create a sand painting of the Compact Muon Solenoid at CERN, laboriously piling grains of sand one on another. Then soon after completion it was destroyed.
“Q is for Quarries” is an A-Z trail that allows people to discover the distinctive Heavitree Stone used to build the red skeleton of Exeter.
I originally created the A-Z trail around Heavitree Stone sites on Placeify. But then I came across TiCL, who were really enthusiastic about adding “Q is for Quarries” to their portfolio of Exeter trails. So now there are two versions!!
Today was the day when we launched the Heavitree Quarry Trails on Exeter’s historic Quay! Performances, leaflets of ready-made trails, A-Z trail, umbrella website, and all!
Steven Bramble designed the alphabet. I turned it into the font used on all the Heavitree Quarry Trails outputs. I’ve made it available to download it for your own use too.
When Steven Bramble suggested designing an alphabet of Heavitree Stone, I immediately thought of its potential use in an A-Z. I came across Placeify some years ago, powering Exeter University’s Sculpture Tour, and the two things came together as an idea for a trail.
Art Week Exeter is a go-go! And it turns out that I had a bit more in show than I thought. The main event (for me) is “Minecraft my home”. The Minecraft St Loyes world is available to download and play online, and on Saturday 26 May I’m holding a meetup to share our explorations and creations.
Over the last few months, I’ve been collaborating with local artist Steven Bramble on producing an alphabet and font for the Quarry Pod.
I haven’t written much about the progress of the Heavitree Squilometre Quarry Pod. It’s been a period of research then consolidation and creative pondering, by turns fascinating, inspiring, and great fun!
FALAFELS stands for Free Art Friday Exeter St Loyes Loves Anagrams. You have to think about it a bit!
The Art Vending Machine is a fun installation that sells playing card-sized art to the regular punter. “Green|Blue: Drop Slow Tears”, the mini mirror tears, are one of eleven different multiples during the 2017/18 season.
I’ve been having a play, and come up with a logo for “Working with Gold”, and I think a working design. Hope you like it!
Further to yesterday’s post about my five-minute talk “Working with gold, weaving with data” at Exeter City Futures, I thought I’d share more of the talk content.
Exeter City Futures’ Connect events are an opportunity to share ideas on the big problems that they believe Exeter needs to solve as it transitions towards becoming energy independent and congestion free. At the Autumn Connect, I presented my developing vision for a programme of art in St Loyes, aimed at nurturing a sense of place and building community.
I’ve been playfully exploring my local area for a number of years, its history, geography, biodiversity, archaeology, and myth – some invented! This Kaleider Lunchtime Talk was a shout-out to anyone with an interest in any aspect of place-based art and/or who lives in St Loyes.
The Church Times editor was kind enough to pop round… and not once but twice, as I was still setting up the first occasion. So I thought it was quite likely I’d be in the review, but it was still nice to see my name in there.
I had a wonderful time showing Green|Blue at Greenbelt… mostly! It just wouldn’t be the same if I wasn’t cursing how complicated and time-consuming it is to set up my art stuff, especially when I only had 3-6pm on a Sunday afternoon to set up, show, and take down.
The Heavitree quarries have been voted by the people of Heavitree as the next theme for the Heavitree Squilometre. Of course, the quarries are actually in St Loyes.
Today, my “Little colouring books of climate mindfulness” popped up in the Exeter University Forum alongside “Green|Blue: Exe”. I was doing a colour-by-numbers activity as part of “Think…Art”, a day of free fun artistic activities linked to the University’s research themes.
For Art Week Exeter, I thought I’d open my newly-painted garage studio up to the world. Complete with kettle and lots of cake. It was a chance to show some of my work since 2014, and to ask for ideas for art in St Loyes.
This was my second trip to Pint of Science. In 2015, I took “Particulart” into The Ship Inn. In 2017, it was the turn of both “Green|Blue” and “Little Colouring Books” in the Exeter Phoenix workshop room. With a small bar in the corner, pints were assured.
Along Broadfields Road in St Loyes, the roads are named after English composers and it’s always summer. A goodly number came and joined Sine Nomine in serenading the neighbourhood with the music of each composer on their eponymous street corner.
“Fun Palaces is a movement campaigning for culture by, for and with all – with a firm belief that community belongs at the core of all culture – and an annual weekend of events… Everyone an Artist, Everyone a Scientist.”
I was at the Greenbelt Festival over the August bank holiday. As part of a fantastic weekend, I gave a Pecha Kucha talk about my art work, and “Particulart: Up in the Air” popped up in the Allotment Gallery.
For the second time, I was at Greenbelt giving a PechaKucha about my artwork. Last year it was about “Particulart”. This year I was showing “Particulart” in the Allotment Shed gallery on Sunday, and my PechaKucha on Saturday was about my work and motivations more generally.
The overall aim of Particulart is to engage people with environmental and social issues and challenge the status quo through the power of knitting, science, and public art. In addition, “Exhausted” aimed to promote public awareness and provoke reflection on urban air quality, through a quirky display enabling playful interaction. It appeared at “Test Drive the Future”, an exhibition of electric vehicles, that will help solve the problem of air pollution.
The overall aim of Particulart is to engage people with environmental and social issues and challenge the status quo through the power of knitting, science, and public art. In addition, “Greenhouse Effect” aimed to promote public awareness and provoke reflection on climate change and the underlying science, through appealing to different ways of accessing information – words and numbers, sight and touch – and enabling playful interaction.
This weekend, there are going to be not one… not two… but yes OK two Particulart events in Oxford as part of Low Carbon Oxford Week, and they’re both brand new exhibitions and both FREE!!
The visible results of Freefall Climate Graffiti at the Exeter Phoenix will be ephemeral. Have a drink in the café outside seating area, and ponder the graffiti climate maps of the UK, before they’re painted over. Help yourself from, and add to, the woolly wall. Pick up a booklet about the project from the Phoenix box office.
Repainting Exeter Phoenix’s graffiti wall with UK Climate Projections, with Miss*C and the Freefall Youth Group.
Finally on the Saturday we could get down to the real painting. It was brilliant to see most of the Freefall group join us for a session outside their regular Thursday evening slot.
Making the stencils was a big job, literally. We are going to build up the images from a base layer of the main colour, and add the other colours as layers on top. It means we can be canny re what stencils we need.
While the Freefall youth group took it in turns to bluewash the Phoenix graffiti wall… the Met Office knitting group gave the others a crash course in crafting, and much crochet and more pompoms were created.
This week and the next two weeks Cleo Heard and I are running workshops with the Freefall youth group in preparation for painting the Phoenix graffiti wall with the UK Climate Projections during Art Week Exeter. As well as climate science and street art, Workshop 1 also covered design for colour blindness.
Free Art Friday is a worldwide movement that has existed for many years. I started Free Art Friday Exeter in July 2015, and collaborate with other artists in leaving pieces in public places to be discovered and taken for free.
Clare was honoured to be able to show Particulart at TEDxExeter 2016, in between a nice lot of Particulart-relevant talks(!) such as Danny Dorling on different ways of mapping the world, Alan Smith on how statistics are about Us, and the video of Al Gore’s latest TED talk on climate change.
On 14th May, the route between the Exeter Phoenix arts centre and Exeter Library will be transformed, as the Freefall Youth Group wield spray cans and stencils to create a new graffiti artwork. The work, called Freefall Climate Graffiti, will feature maps of the UK showing how our climate could change in future decades.
That’s nothing to do with the 1980s pop group, but the Festival of Weather, Art and Music. The 2016 event was all about “Extreme Weather and You”, and there were loads of activities on the programme, from print-making to climate roulette.
The Holy Ground service happens once a month in Exeter Cathedral. The evenings very often engage in social issues, which is why this December it was held to coincide with the Paris climate negotiations, and why the “Up in the Air” pop-up made a special appearance.
Exeter Cathedral is hosting an “Up in the Air” video installation for the duration of the Paris climate negotiations. I’m proud that it is part of ArtCOP21, the global climate art festival.
“Up in the Air” popped up for a second time at the Relight My Fire festival of energy and the arts run by RegenSW. Indoors this time, and slimmed down without roof or games area. It just about fit in the space.
Released on Ozone Day 2015, knitted representations of the three main stratospheric ozone depletion equations: the breakdown of CFC-11 in sunlight releasing a chlorine atom, and the cycle of ozone destruction catalysed by this chlorine.
Exeter Green Fair on 5 September saw the debut of my new “Up in the Air” pop-up. Under a blue gazebo (the sky), I suspended eight pale blue hula hoops (clouds), and from these the eight greenhouse gases.
PechaKucha is a new way of doing Powerpoint presentations. There are 20 slides, which must be images only, and they change automatically every 20 seconds, so the talk is only 6 minutes 40 seconds in total. It becomes more of a performance than a presentation.
RegenSW asked me to write for its new blog “Power Culture: exploring our energy generation through the arts”. It took me 44 years to learn to follow the energy, so here’s the story of how Particulart sparked and took on its own energy…
The overall aim of Particulart is to engage people with environmental and social issues and challenge the status quo through the power of knitting, science, and public art. In addition, “Up in the Air” aimed to promote public awareness and provoke reflection on climate change and the underlying science, through appealing to different ways of accessing information – words and numbers, sight and touch – and enabling playful interaction.
As part of the Particulart: Up in the Air exhibition, Diana Moore of Particulart and Knit-Stop ran a knit-your-own carbon dioxide workshop.
An innovative art installation goes on show this week to bring alive the greenhouse gases that are causing climate change. Local artist Clare Bryden has been knitting larger than life versions of the particles and making card games. The exhibition, which will be on display from 11-24 July at the Glorious Art House in Fore Street Exeter, is designed to be a playful way of sparking people’s interest in the science and issue of climate change.
Buy a coffee and cake from the Glorious café on the ground floor, and wander up to the second floor gallery for 3D knitted molecules floating in the Earth’s atmosphere!
On Monday 18th May, I took “Particulart” into the unfamiliar territory – The Ship Inn in the middle of Exeter – as part of the annual worldwide Pint of Science festival.
Clare Bryden. Knitting and other revolutionary acts. Third Way Magazine, May 2015.
As competing political voices reach election crescendo, could it be that artistic, home-spun forms of activism are more positive and quietly persuasive? Clare Bryden hails the rise of ‘Craftivism’ and explains how knitting can change the world.
I got some excellent news this morning. Exeter City Council have approved a small arts grant towards my next Particulart exhibition.
During Lent 2015 – 18 February to 4 April – the Church of England in the South West ran a Carbon Fast. It was 40 days to reflect on how we affect our planet and consider what we can do to reduce our carbon footprint. “A Stitch in Time” ran roughly concurrently, showing 3D knitted representations of a series of greenhouse gases that are implicated in climate change.
You’ve probably heard of Lent fasts: giving up chocolate or biscuits or swearing for the 40 days before Easter. The Church of England in the south west is going to be running a Carbon Fast this year, and Particulart is going to be involved through a new exhibition in Bristol Cathedral.
Last night, at somewhat short notice, I stepped into a breach and gave a St Michael’s Lecture. I liked the title so much, I adopted it for the work.
Particulart is all about knitting. It’s also all about the Exeter Incinerator, which was inaugurated on 16th October 2014, and about waste management strategy, and monitoring emissions, and the environment, and health, and transparency, and visual impact, and chemistry.
The original “Particulart” was a collaboration between Clare Bryden and Diana Moore, exhibiting in the Exeter Real Food café during autumn 2014. Knitting and emitting particles was our way of telling other people about the Exeter Incinerator and its potential impacts.
I’m exhausted, but feeling exhilarated and satisfied. Diana and I have managed to hang the show, with some absolutely critical help from Naomi Hart. So we’re all set to open to the punters on Monday.
We are in today’s Express and Echo. Page 44 isn’t quite “hold the front page!” but we still got a colour photo!
An innovative community art installation goes on show this week to bring alive the impacts of Exeter’s new ‘Energy from Waste’ incineration facility. Members of the community have been knitting larger than life versions of the particles that will be emitted from the new facility. The exhibition which will be on display at the Real Food Café in Paris Street, is designed to tell people about the incinerator, encourage Devon County Council to ensure it is operated properly over its 25 years contract and think harder about their future waste management strategy.
It’s been months in the planning and making, and now Particulart is at hand. The exhibition will be in the Real Food café from 13th October to 8th November, with a launch party on the evening of 15th October.
Clare Bryden. Far more than two’s company. Church Times, 11 October 2013.
Crowdfunding is one way of raising finance which can benefit church and community projects, and offer ethical projects for donors and investors, Clare Bryden discovers.
It happened! Possibly not one of the daftest ideas I’ve had, but must be one of the dafter ideas I’ve pursued.
A list of the Twitter accounts of Devon County Councillors in Exeter wards.
I have been impressed in recent weeks at the usefulness of Twitter in engaging with councillors and other movers and shakers in and around Exeter City Council. Within limits, though, as you’ll be able to see from my list arranged by political party.
Papers and articles written as part of my work at the Met Office during 2005-07 on health forecasting and anticipatory care, and accepted by peer-review for publication.
Abstracts written as part of my work at the Met Office during 2005-07 on health forecasting and anticipatory care, and accepted by peer-review for conference posters or talks.